01 / People
Faces in the
everyday flow.
A glance across a carriage. An unguarded expression. A brief encounter between strangers. The people who make a city more than just its buildings.
Explore peopleA long-term photographic diary of everyday life.
Made mostly on the streets of Prague.

About the project
Jakub / photographer
For more than twenty years, I have been photographing everyday life, mainly on the streets of Prague. People passing by, brief encounters and ordinary scenes form a growing photographic diary of the city.
I am drawn to the small things: a gesture, an expression, the way people share a space. Street and documentary photography, mostly in black and white, is how I keep a record of them.
More about the project & its authorWays into the archive
01 / People
A glance across a carriage. An unguarded expression. A brief encounter between strangers. The people who make a city more than just its buildings.
Explore people02 / Streets
Passages, pavements and places in between. I return to familiar streets and look for the changing relationship between the city and the people moving through it.
Explore the streets03 / Moments
A small coincidence. An unexpected gesture. A scene that comes together and is gone again. Everyday life rarely waits for a second look.
Explore the momentsThe photographic diary
Recent additions, including photographs made years ago.
A diary can grow backwards, too.
Notes from the streets
The places may be familiar. The people, the light and what happens between them never quite repeat.
Familiar streets do not necessarily lead to familiar photographs. A place can stay almost unchanged while the small scenes within it are different every time. Someone pauses, someone looks back, two people cross each other’s path.
For a long-term photographic project, returning is part of the process. It leaves room for noticing details that would be easy to miss on a first visit — and for seeing the city through the people who use it.
A gesture, a little tension, an unexpected connection. A few thoughts on noticing ordinary life.
Sometimes it is a gesture. Sometimes it is the relationship between two people, or between a person and the space around them. Often the scene is entirely ordinary until one small detail makes me look again.
A photograph can hold that relationship without explaining everything about it. The frame offers a point of view while leaving room for the viewer’s own reading.
Looking through older images is another way of walking through the city — and seeing what has changed.
An archive is more than a sequence of dates. Returning to older photographs brings back details that may have seemed unremarkable at the time: a shop window, a way of dressing, an everyday scene that is no longer quite the same.
A newly added photograph does not have to be a recently made photograph. Keeping the date of the image separate from the date of its addition helps a long-running diary tell both stories.